By: Thapelo Ramorobi.
They say you can run but never hide from your problems; “Go” turns that saying into a heart-pounding reality. The short series delves deep into moral conflict and betrayal. The excellent crafting of the story left me wondering what I would do if I had to choose between me and my best friend.
A life-altering night in Joburg
“Go” follows the life of Siya Bolt Gumede (Thandolwethu Zondi), who has made himself a name as the fastest runner. Coming from a poor background and with nothing but dreams, he gets a scholarship to one of the most prestigious schools in South Africa, and he gets the big break he’s been waiting for, or at least we all thought.
In celebration of the newfound freedom, Bolt and his friend, Mandla (Wonder Ndlovu), go out in the never-sleeping city of Joburg, and that’s where things change. One event on that night changes everything for Bolt.
Realism and character development
The Netflix series has a very impressive character arc; transforming the main character’s perspective is thought through, and fully developing the character is infused with all necessary aspects of realism when it comes to human psychology, and it’s safe to say that Kutlwano Ditsele and Thuli Zuma did an excellent job when shaping the characters.
The Director’s touch
From introducing the story world to keeping the audience intrigued, the award winning director – Tristan Holmes did magnificent work directing “GO”. Throughout the entire series, Holmes’ hand is seen. The director plays with a number of shots, especially close-up shots, which draw the audience more into the characters’ minds, and it’s almost like you know what they are thinking.
Why “GO” is worth watching
From the trailer, you’d think it’s just some sports drama, but after watching it, being part of the suspense and seeing the plot twists, you’ll see that this is not just any other South African drama; it taps into your mind and thought process, making it engaging for the audience.
It’s a drama that lingers with you, long after the credits roll.
